INVENTING A CREATIVE ORGANISATION.
One of my central tropes is the tedious, radical and necessary act of remembering in order to tell our history. What follows is an...
Cultivating a World of Dance.
Cultivating a World of Dance. The Dance Department’s Practitioner-in-Residence Qudus Onikeku brings a global and anti-disciplinary...
Visualized Memories / We Almost Forgot.
Visualized Memories in Performance Space(s)
/ Qudus Onikeku: We Almost Forgot Speaking from the center and not from the margin when...
Note to a good dancer.
At the beginning of my career as a dance maker, I only did solos. But now gradually transiting into making group works on other dancers,...
Popular dances and intellectual property.
Dear Nigerian Dancers It is to you I address this post, and it’s purpose is to ask if you have ever thought about protecting the right...
The Psycho-economics Of creativity.
Dear Nigerian creatives. I’ve noticed a trend among you, most especially the performing artistes, you do not like to pay to increase your...
The other side of Terror Culture. Liberty.
On January 1st of this year 2018, we launched a project that has been generally hailed as a fresh idea, it is a dance/music video piece...
Art is my Revenge.
From the moment I made the decision to return to Lagos, and base all my professional activities there, I’ve made up my mind to “work in”...
Time and the Artist.
[...] the artist should not mistake her ego for the art, so when the catalysts and audience gets a glimpse of the flow of the divine...
RIGHT HERE, RIGHT NOW.
Artistic Statement: Dance, as a passionate and ephemeral art form, has a great capacity to make visible, the multiple juxtapositions that...
